East London has been on my list of places to see in London
for a long time. When I finally got the opportunity to take an ‘art tour’ in Brick Lane, the timing was perfect as the usual gloomy skies of London went
away and I was blessed with the most amazing day. East London is
probably the most culturally diverse part of London. It saw three waves of immigration; French, Jewish and Bangladeshi. The last one is the most prominent in
terms of the culture and the community present there, but if you look closer
you can see that the lives and work of its previous inhabitants were never
erased. So with a jolly and passionate Scottish tour guide, my friend Anjanaa
and a group of tourists who all share an interest in art, the journey began.
I have always loved street art, but have never had the
opportunity to see it up close. I even tried (and failed) to use an online
graffiti application to make normal images look like they were drawn on a wall
with spray paint. But East London's street art and graffiti was better than
anything I had seen before in pictures. What made them even more special was
the history of the community that lived in East London as well as the
individual stories of artists who spilled their imaginations and dreams onto
blank walls to create blueprints and many will follow in years to come.
 |
| The Crane by artist Roa- completed in 8 hrs |
All forms of street art and graffiti are illegal in the eyes
of the law. To me, this makes these types of art all the more exciting; it is
opportunity combined with passion, love, rage, torment, defiance and every
other emotion an artist goes through to create his or her masterpiece. Many
pieces, like the crane and the cowboy,
were created in just a couple of hours. The immaculate detail seen in such drawings
is often missed. As a spectator I find there to be two different stages of admiring
art. The first is when we glance at it, stare at it as it comes into sight and
we are drawn to the scale, colour and subject of the drawing. The second
is when we look closer, come up close to it to admire the detail and realize
that our first impression of it is the least of what the image actually
represents; a stamp of identity.
Street art is never permanent.
You can create a masterpiece one day and have it covered up with spray paint
the next day by another artist who just wanted to create something new. The best
part is, nobody would blame them. It's a fight for space, and and a fight for expression. Most people would say that there is a blurred line between graffiti and vandalism but I would disagree. Unless it is the
names of boys’ schools during cricket matches and unflattering terms for girls
sprawled on my school wall in Colombo (a bit of school pride kicking in here,
so yes, that was vandalism), graffiti
represents a story, an outburst of emotion that needed an outlet. And what
better canvas than a street wall?
As I stopped to stare at all the colourful walls in Brick
Lane and its surrounding streets, I realized that the drawings and words before
me were a tribute to the culture and history of East London. With different
waves of immigration came constant change, adaptation and a fusion of ideas and
histories. And with change comes the guarantee that what you create today can
be something complete different in ten years, or cease to exist all together.
Hence the street art in East London is a tribute to a community and a culture that
celebrates and thrives on change. And no matter what technique, language or
medium the artist uses, while it lasts, their art will always share a common
message: I was here, this is who I am.
This is what
makes me fall in love with London over and over again: fusion. So my advice to you-
go see the places no one tells you to look for. And scribbled on a wall down a lonely alley,
you will find something that will make you smile.
